Artistic Philosophy

I approach each body of work that I develop, regardless of medium, with three guiding principals: intellectual rigor, high expectations, and as much creative freedom as possible. As a student, I explored a variety of mediums and styles of artistic expression. Today, I continue to develop a broad understanding of the creative process and freely work in the medium that most clearly communicates my concepts and ideas. In addition, I ground my work in both art and cultural history. I believe that an in-depth knowledge of the history of my subject helps me create work that is vital in today's society.

The themes of history, time, age and preservation have always been at the core of my creative work. In my most recent body of work, I am photographing a subject that is somewhat overlooked by history, but rich in meaning - architectural models. These models reveal, for the first time, a design that was previously only two-dimensional or rendered virtually on a computer, they act as a three-dimensional simulation. Often, because they are the only built version of a design, they themselves become historically significant, reflecting the style, politics and social atmosphere of the time. At their best, the photographs I create of the models are a powerful illusion, a trompe l'oeil, that allows the viewer to experience the space as if it existed, as if it were a true building housing people, businesses or works of art. These new realities allow the viewer inside the thought process of an architect and capture the struggle to create and the ephemeral nature of ideas. They resonate with the hope and creative energy that each architect, apprentice and draftsperson instilled within the original design. As I create new images, I strive to preserve a small portion of that effort with the intent of reaffirming the vitality, importance and quiet historical resonance of the individual models.

It is the struggle, the energy, and the vitality of creative expression that keeps my life focused on making art. It has driven me to make both my professional and personal life reflect my aesthetic vision and desire for creative excellence. In short, is has become a part of who I am. I believe that being an artist is not merely an occupation or job, but a way of life that can be revealed in many ways, not just on a gallery wall. I take from my work and the work of others the energy to overcome adversity and solve problems. I am inspired to reach beyond my limits and push the boundaries of my abilities. Through my life and work, I hope to set an example of what it means to think creatively in the context of today's society. It does not mean that I feel everyone should be an artist or pursue a traditional path of artistic expression. Rather, I feel that understanding creative drive and seeing how it can be used as a tool to solve problems and overcome adversity is important for all of us to learn. It can be used in the boardroom or on the playground. It is a driving force behind my life and a way in which I can make sense of the world around me.